THE BUILDINGS IN MADRID (2)
Sunday, October 24, 2010
Wednesday, August 4, 2010
Complaint Letter Against Insurance Agent
PELLICER
CONCEPTION CLINIC
MADRID
If I can get a better picture I will. It is signed Rafael Pellicer.
is a canvas, and is attached with staples to the wall.
I have found it beautiful, but as I'm a bit groggy lately, I've taken I realized that represents the Health and Disease, or at least that is the conclusion I have come to see it
this
Saturday, April 3, 2010
Thursday, April 1, 2010
Co-pilot Salaries - Air Canada
PICTURE ASSOCIATION GIORGIONE
1508
Giorgio Barbarelli
1477-1510
Italy
"The Tempest"
1508
few days ago I read about the mystery that is in the box and the existence of different interpretations. And here's mine.
At first look, I saw what I'm seeing now. Childbirth, birth a child.
After the storm comes calm, is the saying. Everything is calm and quiet in the front of the box. The storm has passed, with thunder and lightning, and now is in town ... .. the labor and delivery as well. Now all is calm. Everything went well.
The mother, even with the fatigue of effort, and always suspicious, breast-feeding. The belly is still swollen. Do not lean against his body still aching. It protects you from your arm and leg, and covered and covered with a sheet that has served to give light upon the grass.
Father, wait, and armed guard, smiling, and outside the act of birth, but ready to defend and protect the mother and the child.
For imagination is not.
see what is this
Wednesday, March 31, 2010
In The Hand Of The Devil Book Garat
Henri Fantin-Latour
When a few days ago, Antonio González Romano, put us on his blog "Ah Life", a post dedicated to Easter, I was surprised to see the Christ of Humility and Patience of Seville.
" location in Seville this great retrospective recalls also the little-remembered visit to Rodin made SEVILLA in 1905, within a hurried trip to Spain ... " Given that" The Thinker "was completed in 1880, twenty five years before this visit to Spain, it seems that nothing has to do.
When a few days ago, Antonio González Romano, put us on his blog "Ah Life", a post dedicated to Easter, I was surprised to see the Christ of Humility and Patience of Seville.
never seen a statue of Jesus of Nazareth in that position.
Shortly afterwards, another good friend, blogger, Juanma , sent me a link where you could follow Holy Week in Seville, via the Internet.
One that is willing to learn what others are willing to teach, because I spent the evening watching the Palm Sunday processions in Seville, from La Campana, through this Channel 10 - ABC and to my surprise, the Christ appeared to Juan-Antonio González Romano had shown us in his blog.
On seeing on the screen, moving from a thousand angles, precious and delicate that size, I immediately recalled Rodin Thinker.
Suddenly I wondered if this picture would have seen Rodin Sevillana. And I found this online:
" location in Seville this great retrospective recalls also the little-remembered visit to Rodin made SEVILLA in 1905, within a hurried trip to Spain ... " Given that" The Thinker "was completed in 1880, twenty five years before this visit to Spain, it seems that nothing has to do.
But .... I remembered.
Finally say that there are many sizes, as well as Sevillana shown here, the Christ of Humility and Patience in Andalusia, and I guess other peoples of Spain.
see what is this
Tuesday, March 23, 2010
Itchy Nose, Itchy Palm, Ears Ringing
"A atelier aux Batignoiles"
(A workshop for Batignolles)
1,870
Henri Fantin-Latour
The great painter Edouard Manet sitting, painting a picture in his studio in the Batignolles in Paris. Beside him, sitting next to him, Zacharie Astruc, poet and art critic, who is very attentive to painting.
In the background to the left, the German painter Otto Schölderer, and the great Renoir lost not detail what the teacher is painting. Like the high painter Bazille, whose study was the scene of another great group box ("The artist's studio" - Bazille)
Zola Emili However, watch out ... in the same Manet address. Play with a bracelet, of these, antirheumatic, between the fingers of his right hand. Perhaps making it clear, that is not going to hurt your hand to write what he wants to write.
the background, right, musician Edmond Maître Claude Monet and stare at us.
I love this table for the characters, the composition, by Edouard Manet support from their friends ...
Standing before the table look sensitivity , beauty, elegance, culture .... a group of men, a group of horsemen, a group of artists and intellectuals.
striking under vacuum in the center of the image, hoping to frame the box is painting.
The table covered with a red cover, gives a touch of color to the scene. On it, the goddess Minerva and a wonderful ceramic vase china, and a barely glimpsed box tells us that we are in a place where art and beauty are paramount.
In men, only takes Manet gray trousers, which illuminates the scene.
feet of all, settle firmly into the uniform gray carpeting. Without ceasing to be natural, its position reflects its absolute security.
What I like about the table are serene faces of every one present. And what struck me most was the look of Manet, her eyes ... walked around the corner of the box, from center to the wall to see if mine was a sense or reality. I certify that Manet is not looking at anyone .... At any point you find the look ... Because look, as I felt a moment of introspection, looking ahead, looking at empty ... .. And ... beautiful.
When I got home, I saw Zola also Somewhere looked vague ... but looking at the painting did not see it .... I have to go back to the exposure of the Fundación Mapfre in Madrid.
PD.: In Roman mythology, Minerva is the goddess of wisdom, the arts, the techniques of war, as well as the protector of Rome and the patron of craftsmen. It corresponds to Athena in Greek mythology.
see what is this
Thursday, March 18, 2010
Flank Pain And Chlamydia
EDGAR DEGAS
(Paris, 1834.-1917)
France
"LE pedicure"
( The Pedicure )
1,873
From this table, has attracted my attention, apparent in "direct" which has no angle, no corner on the wall. When you're facing him, you see the corner of the wall (in the picture is more apparent that natural nitida).
The feeling is very strange ... because you know the corner is there ... but do not see ... you see the bottom, and yet the sofa, appears in a flat plane. It is as if it were a corner sofa, yet no ... it's very strange.
Perhaps Degas was exploring those prospects who have his paintings amazing. For example, this, in the corner and the prospect are clear and concrete.
"LA CLASSE DE DANSE"
(dance class)
(1873-1876)
see what is this
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